Yelena Yemchuck

Odesa

 

Time is different in Odesa. It’s a city outside of time

 

As a child growing up in Kyiv, Yelena Yemchuk was fascinated by the reputation of Odesa as a free place during Soviet times. The city seemed full of contradictions – “acceptance but also danger. A place of jokes and characters, populated by outlaws and intellectuals.” She first visited Odesa in 2003 and returned in 2015 to begin to photograph the city and its inhabitants over a period of four years. This book is Yemchuk’s visual ode to the city.

 

In 1981, when Yemchuk was eleven years old, her family emigrated to the United States from their home in Kyiv, Ukraine. They could tell no one out of their family of their plans to leave, for going beyond the ‘Iron Curtain’ at the time meant they could never return to their home country. Ten years later, when Ukraine announced its independence, the artist was able to return to her home country to visit.

 

By 1996, Yemchuk was making regular trips Kyiv, spending her days taking pictures and her evenings with her grandmother. At the time, the country was in the throes of a period of change and redefining its identity, and simultaneously Yemchuk was developing her own visual language and ideas.

 

Yemchuk began photographing Odesa in 2015, taking pictures of the sixteen and seventeen-year-old boys and girls at the Odesa Military Academy. The year before, Russia had invaded and subsequently annexed Crimea, and there was fighting on the Eastern border of Ukraine. Originally intending to document the faces of the children going off to fight, Yemchuk became aware of the importance of giving their lives more context. As a result, she began to photograph Odesa and continued producing work there until 2019.

 

“…there was a wildness about Odesa. But also a ‘forgottenness’, like it had rolled off the back of the cart of modernity. I felt like I had been shown a secret place. Like someone took me around a corner, pulled back a curtain and said, ‘Here look, look at this enchanted city. Believe in it, it’s real. You can be in it. Try to capture its magic. If you keep your eyes and your heart open, you just might be allowed to see.”

 

Listen to the words of the artist

Yelena Yemchuk is a Ukranian artist working in photography, film and painting. Born in Kyiv, Yelena immigrated to the United States with her parents when she was Eleven. She studied fine art at Parsons NY and Photography at Art Center in Pasadena Yemchuk has exhibited paintings ,films and photographs at galleries and musiums Worldwide.

 

She has worked with the New Yorker, New York Times, Another ,ID, Vogue and others Yemchuk released her first book Gidropark , published by Damiani in 2011 followed by ANNA , published by United Vagabonds 2017. Yemchuk had her first institutional debut with her project Mabel, Betty & Bette , a photography and video work at the Dallas Contemporary Museum in 2019 .A monograph with the same title was released by Kominek Books in 2021 . In 2022 Yemchuk relleased two books Odesa by GOST and YYY by Depart Pour L’image.

29/04 SATURDAY

H 11

Chiostri di San Pietro | Laboratorio Aperto

MEET THE ARTIST

THE ARCHIVE OF PUBLIC PROTEST

YELENA YEMCHUK

Moderano LUCE LEBART and TIM CLARK

 

H 17

Chiostri di San Pietro | chiostro piccolo

BOOK PRESENTATION

УYY BY  YELENA YEMCHUK

WITH THE AUTHOR AND FRANCESCA TODDE – DÉPART POUR L’IMAGE

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