Within Sight
Helen Sear presents a suite of interrelated multiple and composite works that explore the dissolution of a single-lens perspective associated with the camera lens.
Unlike the fixed position of the photographer in early landscape photography, she uses her camera in a way that is closer to a scanner moving through space. From a monumental woodstack to a giant pine tree fallen in the forest, Sear explores a sense of connection and reanimation through multiple exposures and layers. She is a close observer of the changing elements that make up a landscape, and her methods of recording and reconstruction visualise the experience of being present in nature, utilising all our senses in the act of viewing. Sear often denies a traditional foreground, midground and distance in picture-making, bringing the image almost to the surface of the eye, preferring to imagine elements in the landscape as other bodies where we might wonder who or what is looking at whom.