FE 2015

Un progetto del Comune di Reggio nell'Emilia
 
Comune di Reggio Emilia – Città delle persone

  • Unknown photographer, No. 88, Feathery clouds with precipitation trails. Ci., from: Clouds in a sea of air. Photographs taken by German fighter pilots during WW1, Berlin, 1917 © Collection Helmut Völter
    Unknown photographer, No. 88, Feathery clouds with precipitation trails. Ci., from: Clouds in a sea of air. Photographs taken by German fighter pilots during WW1, Berlin, 1917 © Collection Helmut Völter
  • Ralph Abercromby, Raggy, Inky Cloud, London, 1884 © Met Office National Meteorological Archive
    Ralph Abercromby, Raggy, Inky Cloud, London, 1884 © Met Office National Meteorological Archive
  • Masanao Abe, Cloud Film No. 116 b, Gotemba, Japan, 1932 © Archive Masanao Abe
    Masanao Abe, Cloud Film No. 116 b, Gotemba, Japan, 1932 © Archive Masanao Abe

Helmut Völter, Cloud Studies

 

“Clouds are subject to certain distinct modifications, produced by the general causes which effect all the variations of the atmosphere: they are commonly as good visible indications of the operations of these causes, as is the countenance of the state of a person’s mind or body.”

This is what the English pharmacist and meteorologist Luke Howard wrote in 1803 in the preface to his manuscript On the Modification of Clouds. Eighty years later, meteorologists had still not reached a consensus on how to classify, label, and read the forms of clouds. It was during this time that scientists first began using photography to record and measure clouds. With its help, they attempted to gain precise and accurate images that would provide insight on the interplay between clouds and the atmosphere.

The exhibition Cloud Studies – The Scientific View of the Sky presents six stations of meteorological cloud photography, from its infancy in the 1880s up to the newspaper images that were captured by the first weather satellites in the 1960s. Each of the six stations represents a certain scientific and photographic perspective on clouds.

 

 

Helmut Völter’s works exhibited here are part of the group exhibition No Man Nature.

NO MAN NATURE

Exhibition curated by Elio Grazioli and Walter Guadagnini
Works by Darren AlmondEnrico BedoloRicardo CasesPierluigi FresiaStephen GillDominique Gonzalez-Foerster e Ange LecciaMishka HennerAmedeo MarteganiRichard MosseThomas RuffBatia SuterCarlo ValsecchiHelmut Völter

 

The approach chosen for the No Man Nature exhibit is to explore the topics of ‘nature without man’ and ‘man without nature’, suggesting a heuristic reflection flowing from two opposite extremes. These extremes no longer mean just the unexplored, the unknown, the invisible and the unimaginable, but actually imply the possibility of a world no longer inhabited by man and, at the opposite end, of man’s invention of a world no longer inhabited by nature. These possibilities can in turn be perceived as dangers: on the one hand, there is the ecological danger of the destruction of nature and the self-destruction of the human species, and on the other, there is the danger of a “technological” euphoria with the attendant isolation of the human being from the world.   And again: sometimes we yearn to live in an unspoilt and deserted natural environment, like a dream of an impossible new beginning, while at the same time we are building a world modelled entirely on the virtual and the imaginary, including a natural world that is equally virtual and imaginary.

Finally, we might argue that if things are, or are going, that way, then there must be a reason for it. Hence, our reflection on extreme cases will also be an inquiry into ‘where we are at’. The exhibit uses images in order to raise these questions, putting forward examples that will urge viewers to ask themselves what their own position is with regard to these questions.

The general idea is always to use photography not as a document and a representation in itself, but as an opportunity in terms of the questions it elicits and its thought-provoking power. The issues raised about the man-nature relationship thus also become a metaphor of the role and function of photography.

BIO

Helmut Völter (*1978 in Berlin) is an artist and graphic designer from Leipzig. In 2011, he published his book „Cloud Studies“, based on a research on scientific cloud photography. The parallel exhibition was shown in Germany, Switzerland and the Netherlands. His recent project is a research on the Japanese cloud physicist and photographer Masanao Abe. An exhibition on Abe is currently shown in Japan, a book will be published this summer by Spector Books.

EVENTS

Saturday, May 16

11am_Teatro Cavallerizza
CONFERENCES
No Man Nature: Diane Dufour, Elio Grazioli and Walter Guadagnini with Enrico Bedolo, Pierluigi Fresia, Mishka Henner, Carlo Valsecchi, Helmut Völter. Book signing to follow

 

2pm_Palazzo da Mosto
ASK THE ARTIST
No Man Nature: Enrico BedoloPierluigi FresiaMishka HennerCarlo ValsecchiHelmut Völter and curators answer at questions by public

exhibition venue

Palazzo da Mosto
via Mari, 7
42121 Reggio Emilia

7

opening hours

•• during the inaugural days
05/15 › 7pm - midnight
05/16 › 10am - midnight
05/17 › 10am - midnight
• from May 22 to July 26 the exhibits are open from friday to sunday
Friday › 4pm-11pm
Saturday › 10am-11pm
Sunday and holidays › 10am-8pm

map

Category
Palazzo da Mosto