{"id":27464,"date":"2026-02-25T13:47:53","date_gmt":"2026-02-25T12:47:53","guid":{"rendered":"https:\/\/www.fotografiaeuropea.it\/?post_type=avada_portfolio&#038;p=27464"},"modified":"2026-04-04T16:45:14","modified_gmt":"2026-04-04T14:45:14","slug":"keep-the-fire-burning","status":"publish","type":"avada_portfolio","link":"https:\/\/www.fotografiaeuropea.it\/en\/exhibitions\/keep-the-fire-burning\/","title":{"rendered":"KEEP THE FIRE BURNING"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background hundred-percent-fullwidth non-hundred-percent-height-scrolling fusion-animated\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:0px;--awb-padding-bottom:0px;--awb-padding-left:0px;--awb-padding-top-medium:0%;--awb-padding-right-medium:0px;--awb-padding-bottom-medium:0%;--awb-background-color:var(--awb-color1);--awb-flex-wrap:wrap;\" data-animationType=\"fadeIn\" data-animationDuration=\"0.4\" data-animationDelay=\"0.2\" data-animationOffset=\"top-into-view\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-flex-start fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\" data-scroll-devices=\"small-visibility,medium-visibility,large-visibility\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"awb-gallery-wrapper awb-gallery-wrapper-1 button-span-no\" style=\"--more-btn-alignment:center;margin-top:2.5rem;margin-bottom:2.5rem;\" data-limit=\"2\" data-page=\"1\"><div style=\"margin:-5px;--awb-aspect-ratio:1 \/ 1;--awb-bordersize:0px;--awb-caption-title-size:var(--awb-typography5-font-size);--awb-caption-title-transform:var(--awb-typography5-text-transform);--awb-caption-title-line-height:var(--awb-typography5-line-height);--awb-caption-title-letter-spacing:var(--awb-typography5-letter-spacing);--awb-caption-text-size:var(--awb-custom_typography_1-font-size);--awb-caption-text-transform:var(--awb-custom_typography_1-text-transform);--awb-caption-text-line-height:var(--awb-custom_typography_1-line-height);--awb-caption-text-letter-spacing:var(--awb-custom_typography_1-letter-spacing);--awb-caption-overlay-color:var(--awb-color8);--awb-caption-background-color:var(--awb-custom_color_2);--awb-caption-margin-top:1rem;--awb-caption-margin-bottom:1rem;--awb-caption-title-font-family:var(--awb-typography5-font-family);--awb-caption-title-font-weight:var(--awb-typography5-font-weight);--awb-caption-title-font-style:var(--awb-typography5-font-style);--awb-caption-text-font-family:var(--awb-custom_typography_1-font-family);--awb-caption-text-font-weight:var(--awb-custom_typography_1-font-weight);--awb-caption-text-font-style:var(--awb-custom_typography_1-font-style);--awb-columns-medium:33.3333%;--awb-columns-small:100%;\" class=\"fusion-gallery fusion-gallery-container fusion-grid-3 fusion-columns-total-3 fusion-gallery-layout-grid fusion-gallery-1 has-aspect-ratio\"><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-zoomin awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-1\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/\u300aBelly-of-The-Giant-Serpent_Prophecy\u300bPic2.jpg\" data-title=\"\u300aBelly of The Giant Serpent_Prophecy\u300bPic2\" title=\"\u300aBelly of The Giant Serpent_Prophecy\u300bPic2\" data-caption=\"Chen Chuanduan, from Belly of the Giant Serpent: Prophecy, Co-Published by P for Pinecone &amp; Jiazazhi, 2025, \u00a9Chen Chuanduan\n\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/\u300aBelly-of-The-Giant-Serpent_Prophecy\u300bPic2.jpg\" data-orig-src=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/\u300aBelly-of-The-Giant-Serpent_Prophecy\u300bPic2.jpg\" width=\"1200\" height=\"800\" alt=\"\" title=\"\u300aBelly of The Giant Serpent_Prophecy\u300bPic2\" aria-label=\"\u300aBelly of The Giant Serpent_Prophecy\u300bPic2\" class=\"lazyload img-responsive wp-image-27461\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%27800%27%20viewBox%3D%270%200%201200%20800%27%3E%3Crect%20width%3D%271200%27%20height%3D%27800%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/\u300aBelly-of-The-Giant-Serpent_Prophecy\u300bPic2-200x133.jpg 200w, https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/\u300aBelly-of-The-Giant-Serpent_Prophecy\u300bPic2-400x267.jpg 400w, https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/\u300aBelly-of-The-Giant-Serpent_Prophecy\u300bPic2-600x400.jpg 600w, https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/\u300aBelly-of-The-Giant-Serpent_Prophecy\u300bPic2-800x533.jpg 800w, https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/\u300aBelly-of-The-Giant-Serpent_Prophecy\u300bPic2.jpg 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/a><\/div><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><div class=\"awb-imageframe-caption-title\">Chen Chuanduan, from Belly of the Giant Serpent: Prophecy, Co-Published by P for Pinecone &amp; Jiazazhi, 2025, \u00a9Chen Chuanduan<\/div><p class=\"awb-imageframe-caption-text\">Chen Chuanduan, from Belly of the Giant Serpent: Prophecy, Co-Published by P for Pinecone &amp; Jiazazhi, 2025, \u00a9Chen Chuanduan<\/p><\/div><\/div><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-zoomin awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-1\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/THEOCO1.jpg\" data-title=\"THEOCO~1\" title=\"THEOCO~1\" data-caption=\"Theo Cottle, from Generation\/\u043f\u043e\u043a\u043e\u043b\u0435\u043d\u0438\u0435, published by TRIP, 2020, \u00a9Theo Cottle\n\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/THEOCO1.jpg\" data-orig-src=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/THEOCO1.jpg\" width=\"974\" height=\"1200\" alt=\"\" title=\"THEOCO~1\" aria-label=\"THEOCO~1\" class=\"lazyload img-responsive wp-image-27462\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27974%27%20height%3D%271200%27%20viewBox%3D%270%200%20974%201200%27%3E%3Crect%20width%3D%27974%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/THEOCO1-200x246.jpg 200w, https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/THEOCO1-400x493.jpg 400w, https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/THEOCO1-600x739.jpg 600w, https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/THEOCO1-800x986.jpg 800w, https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/THEOCO1.jpg 974w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/a><\/div><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><div class=\"awb-imageframe-caption-title\">Theo Cottle, from Generation\/\u043f\u043e\u043a\u043e\u043b\u0435\u043d\u0438\u0435, published by TRIP, 2020, \u00a9Theo Cottle<\/div><p class=\"awb-imageframe-caption-text\">Theo Cottle, from Generation\/\u043f\u043e\u043a\u043e\u043b\u0435\u043d\u0438\u0435, published by TRIP, 2020, \u00a9Theo Cottle<\/p><\/div><\/div><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-zoomin awb-gallery-item-hidden awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-1\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/DP_Image_97_20inch.jpg\" data-title=\"DP_Image_97_20inch\" title=\"DP_Image_97_20inch\" data-caption=\"Antone Dolezal and Lara Shipley, from Devil\u2019s Promenade, published by Overlapse, 2021, \u00a9Antone Dolezal and Lara Shipley \n\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/DP_Image_97_20inch.jpg\" data-orig-src=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/DP_Image_97_20inch.jpg\" width=\"960\" height=\"1200\" alt=\"\" title=\"DP_Image_97_20inch\" aria-label=\"DP_Image_97_20inch\" class=\"lazyload img-responsive wp-image-27463\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27960%27%20height%3D%271200%27%20viewBox%3D%270%200%20960%201200%27%3E%3Crect%20width%3D%27960%27%20height%3D%271200%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/DP_Image_97_20inch-200x250.jpg 200w, https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/DP_Image_97_20inch-400x500.jpg 400w, https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/DP_Image_97_20inch-600x750.jpg 600w, https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/DP_Image_97_20inch-800x1000.jpg 800w, https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2026\/02\/DP_Image_97_20inch.jpg 960w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/a><\/div><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><div class=\"awb-imageframe-caption-title\">Antone Dolezal and Lara Shipley, from Devil\u2019s Promenade, published by Overlapse, 2021, \u00a9Antone Dolezal and Lara Shipley <\/div><p class=\"awb-imageframe-caption-text\">Antone Dolezal and Lara Shipley, from Devil\u2019s Promenade, published by Overlapse, 2021, \u00a9Antone Dolezal and Lara Shipley <\/p><\/div><\/div><\/div><div class=\"clearfix\"><\/div><\/div><div class=\"fusion-loading-container fusion-clearfix awb-gallery-posts-loading-container\">\n\t\t\t\t<div class=\"fusion-loading-spinner\">\n\t\t\t\t\t<div class=\"fusion-spinner-1\"><\/div>\n\t\t\t\t\t<div class=\"fusion-spinner-2\"><\/div>\n\t\t\t\t\t<div class=\"fusion-spinner-3\"><\/div>\n\t\t\t\t<\/div><div class=\"fusion-loading-msg\"><em>Loading the next set of gallery items...<\/em><\/div><\/div><div class=\"awb-gallery-buttons\"><a href=\"#\" class=\"fusion-button button-flat button-default fusion-button-default-size awb-gallery-load-more-btn\">Carica altri<\/a><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-flex-column\" style=\"--awb-bg-color:rgba(255,255,255,0);--awb-bg-color-hover:rgba(255,255,255,0);--awb-bg-size:cover;--awb-width-large:75%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.56%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:2.56%;--awb-width-medium:75%;--awb-order-medium:0;--awb-spacing-right-medium:2.56%;--awb-margin-bottom-medium:0px;--awb-spacing-left-medium:2.56%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\" data-scroll-devices=\"small-visibility,medium-visibility,large-visibility\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-space-between fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1 fusion-text-no-margin\" style=\"--awb-margin-bottom:1rem;\"><h2><\/h2>\n<h2><em>Keep the fire burning<\/em><\/h2>\n<h2><br style=\"font-weight: 400\" \/><br style=\"font-weight: 400\" \/><\/h2>\n<\/div><div class=\"fusion-text fusion-text-2 fusion-text-no-margin\" style=\"--awb-margin-bottom:2.5rem;\"><p><b><i>Keep the Fire Burning\u00a0<\/i><\/b><\/p>\n<p><span style=\"font-weight: 400\">Photobook exhibition<\/span> <span style=\"font-weight: 400\">curated by <strong>Francesco Colombelli<\/strong>, in collaboration with <strong>Centro diurno per l\u2019adolescenza \u201cA\u00cfDA\u201d.<\/strong><\/span><\/p>\n<p><span style=\"font-weight: 400\">This selection of photobooks explores how myths, fairy tales, stories of witchcraft and spirituality, popular beliefs, religious traditions and traditional clothing continue to inhabit our present. The ghosts conjured up are not just supernatural presences, but also cultural traces, collective memories, customs and archaic imagery that persist \u2013 often in latent form \u2013 in everyday life.<\/span><\/p>\n<p><span style=\"font-weight: 400\">The chosen photobooks tell the story of something that has been handed down from generation to generation, mainly through words, example and repetition. This fragile knowledge, entrusted to memory and the body rather than to written texts, resists the passage of time but is slowly at risk of disappearing. In some volumes, these traditions still appear alive and integrated into the present; in others, they emerge as the last traces, remnants of a world that survives on the margins of modernity.<\/span><\/p>\n<p><span style=\"font-weight: 400\">Every part of the world has \u201cghosts\u201d of this kind: whispered stories, domestic or collective rituals, protective symbols, mythical figures and spiritual beliefs that continue to give meaning to everyday experience. Although they belong to different geographical and cultural contexts, these practices share the same function: to create bonds, explain the unknown, protect and remember. This varied selection aims to create a dialogue between these differences and affinities, constructing an emotional and cultural geography that crosses borders and generations.<\/span><\/p>\n<p><span style=\"font-weight: 400\">In this context, photography \u2013 and specifically the photobook \u2013 takes on a fundamental role as a witness. It not only interprets or evokes, but also documents what is in danger of disappearing, fixing in time gestures, symbols and presences that would otherwise be destined for oblivion. An intimate and temporal object, the photobook becomes an ideal container for these \u201cghosts,\u201d allowing them to be handled, opened, shared and disseminated, keeping alive the traces of an intangible heritage that continues to speak to us, if we still know how to listen.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p><br style=\"font-weight: 400\" \/><br style=\"font-weight: 400\" \/><\/p>\n<\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:0px;--awb-icon-size:22px;--awb-content-font-size:var(--awb-typography4-font-size);--awb-content-letter-spacing:var(--awb-typography4-letter-spacing);--awb-content-text-transform:var(--awb-typography4-text-transform);--awb-content-line-height:var(--awb-typography4-line-height);--awb-icon-alignment:left;--awb-hover-color:var(--awb-color2);--awb-border-color:var(--awb-color8);--awb-background-color:var(--awb-color2);--awb-divider-color:var(--awb-color6);--awb-divider-hover-color:var(--awb-custom_color_2);--awb-icon-color:var(--awb-color1);--awb-title-color:var(--awb-color8);--awb-content-color:var(--awb-color8);--awb-icon-box-color:var(--awb-color8);--awb-toggle-hover-accent-color:var(--awb-custom_color_2);--awb-toggle-active-accent-color:var(--awb-custom_color_2);--awb-title-font-family:&quot;Shentox Bold&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-title-font-size:22px;--awb-title-letter-spacing:0.08rem;--awb-title-line-height:1.35;--awb-content-font-family:var(--awb-typography4-font-family);--awb-content-font-weight:var(--awb-typography4-font-weight);--awb-content-font-style:var(--awb-typography4-font-style);\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-27464-1\"><div class=\"fusion-panel panel-default panel-c4a5436f372b2c2b9 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:var(--awb-color8);--awb-content-color:var(--awb-color8);\"><div class=\"panel-heading\"><h2 class=\"panel-title toggle\" id=\"toggle_c4a5436f372b2c2b9\"><a aria-expanded=\"false\" aria-controls=\"c4a5436f372b2c2b9\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-27464-1\" data-target=\"#c4a5436f372b2c2b9\" href=\"#c4a5436f372b2c2b9\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Book list<\/span><\/a><\/h2><\/div><div id=\"c4a5436f372b2c2b9\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_c4a5436f372b2c2b9\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<ul>\n<li><em>Gertrud<\/em>, Maja Daniels, Void, 2024<\/li>\n<li><em>Photo-Rituals for Disappearance<\/em>, Marilene Ribeiro, eKphrasis, 2024<\/li>\n<li><em>Early Times<\/em>, Vasantha Yogananthan, Chose Commune, 2016<\/li>\n<li><em>The Promise<\/em>, Vasantha Yogananthan, Chose Commune, 2017<\/li>\n<li><em>Exile<\/em>, Vasantha Yogananthan, Chose Commune, 2017<\/li>\n<li><em>Dandaka<\/em>, Vasantha Yogananthan, Chose Commune, 2018<\/li>\n<li><em>Howling Winds<\/em>, Vasantha Yogananthan, Chose Commune, 2019<\/li>\n<li><em>Afterlife<\/em>, Vasantha Yogananthan, Chose Commune, 2020<\/li>\n<li><em>Amma<\/em>, Vasantha Yogananthan, Chose Commune, 2021<\/li>\n<li><em>Devil\u2019s Promenade<\/em>, Antone Dolezal and Lara Shipley, Overlapse, 2021<\/li>\n<li><em>Odyssey<\/em>, Christopher Anderson, Stanley\/Barker, 2023<\/li>\n<li><em>Gli Isolani<\/em>, Alys Tomlinson, GOST, 2022<\/li>\n<li><em>Speak The Wind<\/em>, Hoda Afshar, MACK, 2021<\/li>\n<li><em>JABON: Magic Soaps of Mexico<\/em>, Maisie Cousins, The Midnight Club, 2025<\/li>\n<li><em>Altera Italia<\/em>, Alessia Rollo, Miracoli Visivi, 2026<\/li>\n<li><em>Generation\/\u043f\u043e\u043a\u043e\u043b\u0435\u043d\u0438\u0435<\/em>, Theo Cottle, Trip Publishing, 2020<\/li>\n<li><em>The Truth is in the Soil<\/em>, Ioanna Sakellaraki, GOST, 2022<\/li>\n<li><em>Zurumb\u00e1tico<\/em>, Luis Cobelo, Raya Editorial, 2022<\/li>\n<li><em>The House Of The Seven Women<\/em>, Tito Mouraz, Dewi Lewis Publishing, 2016<\/li>\n<li><em>To salve, to shield<\/em>, Jessica Lindgren-Wu, Journal, 2025<\/li>\n<li><em>Atlantis<\/em>, Oriane Thomasson, The Eriskay Connection, 2025<\/li>\n<li><em>Blank Notes<\/em>, Marshall To, Charcoal Press, 2025<\/li>\n<li><em>Game Over<\/em>, Emilio Nasser, selfpublished, 2013<\/li>\n<li><em>El Libro Supremo de la Suerte<\/em>, Rose Marie Coromwell, TIS Books, 2018<\/li>\n<li><em>Dame Gulizar and Other Love Stories<\/em>, Rebecca Topakian, Blow Up Press, 2024<\/li>\n<li><em>Wildman Fever!,<\/em> Ruben Lundgren, The Archive of Modern Conflict, 2025<\/li>\n<li><em>Once a Year, Some Traditional British Customs<\/em>, Homer Sykes, Dewi Lewis Publishing, 2016<\/li>\n<li><em>Dead Trees Speak to Me<\/em>, Tabitha Barnard, selfpublished, 2024<\/li>\n<li><em>The Land of Haunted Forests<\/em>, Henry Roy, Jane &amp; Jeremy, 2025<\/li>\n<li><em>Malanka<\/em>, Yelena Yemchuk, Edition Patrick Frey, 2024<\/li>\n<li><em>Community Fire<\/em>, Zhang Xiao, Aperture, 2023<\/li>\n<li><em>Belly of the Giant Serpent: Prophecy<\/em>, Chen Chuanduan, Jiazazhi, 2025<\/li>\n<li><em>Passion Play<\/em>, Regine Petersen, The Eriskay Connection, 2023<\/li>\n<li><em>Shooting the Tiger<\/em>, Xiaoxiao Xu, The Eriskay Connection, 2022<\/li>\n<li><em>Isle of Seven Cities<\/em>, St\u00e9phanie Roland, The Eriskay Connection, 2024<\/li>\n<li><em>Zanjir<\/em>, Amak Mhmoodian, RRB Photobooks and IC Visual Lab, 2019<\/li>\n<li><em>Mirror<\/em>, Masanori Hata, Akaaka Art Publishing, 2025<\/li>\n<li><em>You Know My Name<\/em>, Sara Sallam, selfpublished, 2025<\/li>\n<li><em>Gli eretici dell\u2019assunta<\/em>, Marialba Russo, De Luca, 1978<\/li>\n<li><em>Kamaitachi<\/em>, Eikoh Hosoe, Aperture, 2009<\/li>\n<li><em>In Search of Nessie<\/em>, Shinwook Kim, selfpublished, 2025<\/li>\n<li><em>Gauchito Querido<\/em>, Amparo Baquerizas, Editorial RM, 2026<\/li>\n<li><em>Between Dog and Wolf<\/em>, Jane Wilcox, Bad News Books, 2022<\/li>\n<li><em>Gloryland<\/em>, Robert LeBlanc, Setanta, 2023<\/li>\n<li><em>Songs of the Wal\u00e9s<\/em>, Patrick Willocq, Kehrer, 2017<\/li>\n<li><em>Dust<\/em>, Atong Atem, Dream Press, 2023<\/li>\n<li><em>Land of Ibeji<\/em>, Sanne de Wilde and B\u00e9n\u00e9dicte Kurzen, Hatje Cantz, 2021<\/li>\n<li><em>Thames Log<\/em>, Chloe Dewe Mathews, Loose Joints, 2021<\/li>\n<li><em>Dzolomari<\/em>, Ceci Temkova, Goce Davidov and Sashko Ilov, 2020<\/li>\n<li><em>Kanaval<\/em>, Leah Gordon, HERE Press, 2021<\/li>\n<li><em>Te Ahi Ka: The Fires of Occupation<\/em>, Martin Toft, Dewi Lewis Publishing, 2018<\/li>\n<li><em>Flor De Roca<\/em>, Ana Nunez, selfpublished, 2021<\/li>\n<li><em>On heaven\u2019s doorsill<\/em>, Roxana Savin, dienacht Publishing, 2025<\/li>\n<li><em>En mi mente nunca hay silencio<\/em>, Diego Moreno, Hydra, 2019<\/li>\n<li><em>Vital Mud<\/em>, Hiske Altena, The Eriskay Connection, 2023<\/li>\n<li><em>Ametsuchi<\/em>, Rinko Kawauchi, Aperture, 2013<\/li>\n<li><em>Halo<\/em>, Rinko Kawauchi, Kehrer, 2017<\/li>\n<li><em>Midnight at the Crossroads<\/em>, Cristina de Middel and Bruno Morais, This Book Is True, 2020<\/li>\n<li><em>Searching for Jante<\/em>, Knut Egil Wang, Journal, 2023<\/li>\n<li><em>Sacred Place<\/em>, Balarama Heller, TIS Books, 2025<\/li>\n<li><em>Stray Sod<\/em>, Maria Lax, Setanta, 2026<\/li>\n<\/ul>\n<\/div><\/div><\/div><div class=\"fusion-panel panel-default panel-a4ec5826de0b96d3b fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:var(--awb-color8);--awb-content-color:var(--awb-color8);\"><div class=\"panel-heading\"><h2 class=\"panel-title toggle\" id=\"toggle_a4ec5826de0b96d3b\"><a aria-expanded=\"false\" aria-controls=\"a4ec5826de0b96d3b\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-27464-1\" data-target=\"#a4ec5826de0b96d3b\" href=\"#a4ec5826de0b96d3b\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Events<\/span><\/a><\/h2><\/div><div id=\"a4ec5826de0b96d3b\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_a4ec5826de0b96d3b\"><div class=\"panel-body toggle-content fusion-clearfix\">\n<p>&nbsp;<\/p>\n<\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-margin-top-large:0px;--awb-spacing-right-large:7.68%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:7.68%;--awb-width-medium:25%;--awb-order-medium:0;--awb-spacing-right-medium:7.68%;--awb-spacing-left-medium:7.68%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"fusion-separator fusion-no-medium-visibility fusion-no-large-visibility fusion-full-width-sep\" style=\"align-self: center;margin-left: auto;margin-right: auto;margin-top:2rem;margin-bottom:2rem;width:100%;\"><div class=\"fusion-separator-border sep-single\" style=\"--awb-height:20px;--awb-amount:20px;--awb-sep-color:var(--awb-color7);border-color:var(--awb-color7);border-top-width:1px;\"><\/div><\/div><div ><a class=\"fusion-button button-flat fusion-button-default-size button-custom fusion-button-default button-1 fusion-button-span-yes fusion-button-default-type\" style=\"--button_accent_color:var(--awb-color1);--button_border_color:var(--awb-custom_color_2);--button_accent_hover_color:var(--awb-color1);--button_border_hover_color:var(--awb-color8);--button_gradient_top_color:var(--awb-custom_color_2);--button_gradient_bottom_color:var(--awb-custom_color_2);--button_gradient_top_color_hover:var(--awb-color8);--button_gradient_bottom_color_hover:var(--awb-color8);--button_margin-bottom:2rem;\" target=\"_self\" data-hover=\"icon_slide\" href=\"#\"><span class=\"fusion-button-text awb-button__text awb-button__text--default\">Tickets<\/span><i class=\"icon-dance-arrow awb-button__icon awb-button__icon--default button-icon-right\" aria-hidden=\"true\"><\/i><\/a><\/div><div class=\"fusion-text fusion-text-3\"><h3>Exhibition venue<\/h3>\n<p>Chiostri di San Pietro<br \/>\nvia Emilia San Pietro, 44\/c<br \/>\nReggio Emilia<\/p>\n<\/div><div class=\"fusion-image-element \" style=\"--awb-margin-bottom:1rem;--awb-caption-title-font-family:var(--h2_typography-font-family);--awb-caption-title-font-weight:var(--h2_typography-font-weight);--awb-caption-title-font-style:var(--h2_typography-font-style);--awb-caption-title-size:var(--h2_typography-font-size);--awb-caption-title-transform:var(--h2_typography-text-transform);--awb-caption-title-line-height:var(--h2_typography-line-height);--awb-caption-title-letter-spacing:var(--h2_typography-letter-spacing);\"><span class=\" fusion-imageframe imageframe-none imageframe-1 hover-type-none\"><img decoding=\"async\" width=\"164\" height=\"38\" title=\"icona-acessibilita\" src=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27164%27%20height%3D%2738%27%20viewBox%3D%270%200%20164%2038%27%3E%3Crect%20width%3D%27164%27%20height%3D%2738%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-orig-src=\"https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2025\/12\/icona-acessibilita.svg\" alt class=\"lazyload img-responsive wp-image-27171\"\/><\/span><\/div>\t\t\t\t\t<script type=\"text\/javascript\">\n\t\t\t\t\t\tvar map_fusion_map_69d62e6690bb5;\n\t\t\t\t\t\tvar markers = [];\n\t\t\t\t\t\tvar counter = 0;\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\tvar fusionMapNonce = '50da66dea3';\n\t\t\t\t\t\t\t\t\t\t\t\tfunction fusion_run_map_fusion_map_69d62e6690bb5() {\n\t\t\t\t\t\t\tjQuery ('#fusion_map_69d62e6690bb5' ).fusion_maps( {\n\t\t\t\t\t\t\t\taddresses: [{\"address\":\"Via Emilia San Pietro, 44\\\/c 42121 Reggio Emilia RE\",\"infobox_content\":\"\",\"marker\":\"https:\\\/\\\/www.fotografiaeuropea.it\\\/wp-content\\\/uploads\\\/2025\\\/12\\\/mappa-segnaposto.png\",\"coordinates\":false,\"cache\":true,\"latitude\":\"44.6964783\",\"longitude\":\"10.6378537\"}],\n\t\t\t\t\t\t\t\tanimations: true,\n\t\t\t\t\t\t\t\tinfobox_background_color: 'var(--awb-color8)',\n\t\t\t\t\t\t\t\tinfobox_styling: 'default',\n\t\t\t\t\t\t\t\tinfobox_text_color: 'var(--awb-color1)',\n\t\t\t\t\t\t\t\tmap_style: 'custom',\n\t\t\t\t\t\t\t\tmap_type: 'roadmap',\n\t\t\t\t\t\t\t\tmarker_icon: 'https:\/\/www.fotografiaeuropea.it\/wp-content\/uploads\/2025\/12\/mappa-segnaposto.png',\n\t\t\t\t\t\t\t\toverlay_color: '#b8b8b8',\n\t\t\t\t\t\t\t\toverlay_color_hsl: {\"hue\":0,\"sat\":0,\"lum\":72},\n\t\t\t\t\t\t\t\tshow_address: false,\n\t\t\t\t\t\t\t\tscale_control: false,\n\t\t\t\t\t\t\t\tscrollwheel: true,\n\t\t\t\t\t\t\t\tzoom: 15,\n\t\t\t\t\t\t\t\tzoom_control: true,\n\t\t\t\t\t\t\t} );\n\t\t\t\t\t\t}\n\n\t\t\t\t\t\tgoogle.maps.event.addDomListener(window, 'load', fusion_run_map_fusion_map_69d62e6690bb5);\n\t\t\t\t\t<\/script>\n\t\t\t\t\t<div class=\"shortcode-map fusion-google-map fusion-maps-js-type\" style=\"--awb-margin-top:1rem;--awb-margin-bottom:1rem;\" id=\"fusion_map_69d62e6690bb5\"><\/div><div class=\"fusion-text fusion-text-4\" style=\"--awb-margin-top:1rem;\"><h3>openinig hours<\/h3>\n<div>\n<p>30th April &#8211; 14th June<b><\/b><\/p>\n<p>opening days<br \/>\n30th April \u203a 19-23<br \/>\n1st May \u203a 10-23<br \/>\n2nd May \u203a 10-23<br \/>\n3rd May \u203a 10-20<\/p>\n<\/div>\n<div><\/div>\n<div><b>from 7th of May to 14th of \u00a0June<\/b><\/div>\n<div>Thursday \u00a0\u203a 10-13 e 15-20<br \/>\nFriday \u2013 sabato \u2013 domenica \u203a 10-20<\/div>\n<div><\/div>\n<div><b>special openings\u00a0<\/b><\/div>\n<div>1st e 2nd of June &gt; 10-20<\/div>\n<\/div><\/div><\/div><\/div><\/div>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":4,"featured_media":27462,"menu_order":10,"comment_status":"closed","ping_status":"closed","template":"","format":"standard","meta":{"footnotes":""},"portfolio_category":[57],"portfolio_skills":[],"portfolio_tags":[],"class_list":["post-27464","avada_portfolio","type-avada_portfolio","status-publish","format-standard","has-post-thumbnail","hentry","portfolio_category-chiostri-di-san-pietro"],"_links":{"self":[{"href":"https:\/\/www.fotografiaeuropea.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/27464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.fotografiaeuropea.it\/en\/wp-json\/wp\/v2\/avada_portfolio"}],"about":[{"href":"https:\/\/www.fotografiaeuropea.it\/en\/wp-json\/wp\/v2\/types\/avada_portfolio"}],"author":[{"embeddable":true,"href":"https:\/\/www.fotografiaeuropea.it\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fotografiaeuropea.it\/en\/wp-json\/wp\/v2\/comments?post=27464"}],"version-history":[{"count":5,"href":"https:\/\/www.fotografiaeuropea.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/27464\/revisions"}],"predecessor-version":[{"id":28529,"href":"https:\/\/www.fotografiaeuropea.it\/en\/wp-json\/wp\/v2\/avada_portfolio\/27464\/revisions\/28529"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fotografiaeuropea.it\/en\/wp-json\/wp\/v2\/media\/27462"}],"wp:attachment":[{"href":"https:\/\/www.fotografiaeuropea.it\/en\/wp-json\/wp\/v2\/media?parent=27464"}],"wp:term":[{"taxonomy":"portfolio_category","embeddable":true,"href":"https:\/\/www.fotografiaeuropea.it\/en\/wp-json\/wp\/v2\/portfolio_category?post=27464"},{"taxonomy":"portfolio_skills","embeddable":true,"href":"https:\/\/www.fotografiaeuropea.it\/en\/wp-json\/wp\/v2\/portfolio_skills?post=27464"},{"taxonomy":"portfolio_tags","embeddable":true,"href":"https:\/\/www.fotografiaeuropea.it\/en\/wp-json\/wp\/v2\/portfolio_tags?post=27464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}