{"id":3702,"date":"2026-01-15T12:41:43","date_gmt":"2026-01-15T11:41:43","guid":{"rendered":"https:\/\/www.fotografiaeuropea.it\/archivio\/?post_type=avada_portfolio&#038;p=3702"},"modified":"2026-01-15T12:41:43","modified_gmt":"2026-01-15T11:41:43","slug":"home-is-where-one-starts-from","status":"publish","type":"avada_portfolio","link":"https:\/\/www.fotografiaeuropea.it\/archivio\/mostre\/home-is-where-one-starts-from\/","title":{"rendered":"Home is where one starts from"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background hundred-percent-fullwidth non-hundred-percent-height-scrolling fusion-animated\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:0px;--awb-padding-left:0px;--awb-padding-top-medium:0%;--awb-padding-right-medium:0px;--awb-padding-bottom-medium:0%;--awb-background-color:var(--awb-color1);--awb-flex-wrap:wrap;\" data-animationType=\"fadeIn\" data-animationDuration=\"0.4\" data-animationDelay=\"0.2\" data-animationOffset=\"top-into-view\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-stretch fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"awb-gallery-wrapper awb-gallery-wrapper-1 button-span-no\" style=\"--more-btn-alignment:center;margin-bottom:2.5rem;\"><div style=\"margin:-5px;--awb-aspect-ratio:1 \/ 1;--awb-bordersize:0px;--awb-caption-title-size:var(--awb-typography5-font-size);--awb-caption-title-transform:var(--awb-typography5-text-transform);--awb-caption-title-line-height:var(--awb-typography5-line-height);--awb-caption-title-letter-spacing:var(--awb-typography5-letter-spacing);--awb-caption-text-size:12px;--awb-caption-text-transform:uppercase;--awb-caption-text-line-height:1.35;--awb-caption-text-letter-spacing:0.08em;--awb-caption-overlay-color:var(--awb-color8);--awb-caption-background-color:var(--awb-custom_color_2);--awb-caption-margin-top:1rem;--awb-caption-margin-bottom:1rem;--awb-caption-title-font-family:var(--awb-typography5-font-family);--awb-caption-title-font-weight:var(--awb-typography5-font-weight);--awb-caption-title-font-style:var(--awb-typography5-font-style);--awb-caption-text-font-family:&quot;Shentox Bold&quot;;--awb-caption-text-font-style:normal;--awb-caption-text-font-weight:400;--awb-columns-medium:33.3333%;--awb-columns-small:100%;\" class=\"fusion-gallery fusion-gallery-container fusion-grid-3 fusion-columns-total-2 fusion-gallery-layout-grid fusion-gallery-1 has-aspect-ratio\"><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-zoomin awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-1\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1.jpg\" data-title=\"I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1\" title=\"I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1\" data-caption=\"Martin Parr, \u201cI think we are looking for a look that is established, warm, comfortable, traditional.\u201d, England, 1991 \u00a9 Martin Parr \/ Magnum Photos from Sign of the Time, Cornerhouse Publications, 1999\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1.jpg\" data-orig-src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1.jpg\" width=\"1772\" height=\"1772\" alt=\"Martin Parr, \u201cI think we are looking for a look that is established, warm, comfortable, traditional.\u201d, England, 1991 \u00a9 Martin Parr \/ Magnum Photos from Sign of the Time, Cornerhouse Publications, 1999\" title=\"I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1\" aria-label=\"I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1\" class=\"lazyload img-responsive wp-image-3703\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271772%27%20height%3D%271772%27%20viewBox%3D%270%200%201772%201772%27%3E%3Crect%20width%3D%271772%27%20height%3D%271772%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1-200x200.jpg 200w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1-400x400.jpg 400w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1-600x600.jpg 600w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1-800x800.jpg 800w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1-1200x1200.jpg 1200w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1.jpg 1772w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/a><\/div><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><div class=\"awb-imageframe-caption-title\">I-think-we-are-looking-for-a-look-that-is-established-warm-comfortable-traditional.-England-1991.-\u00a9-Martin-Parr-Magnum-Photos-1<\/div><p class=\"awb-imageframe-caption-text\">Martin Parr, \u201cI think we are looking for a look that is established, warm, comfortable, traditional.\u201d, England, 1991 \u00a9 Martin Parr \/ Magnum Photos from Sign of the Time, Cornerhouse Publications, 1999<\/p><\/div><\/div><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-zoomin awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-1\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/Wednesdays-IV.jpg\" data-title=\"film_00290 001\" title=\"film_00290 001\" data-caption=\"\u00a9 Eleonora Agostini, Wednesdays IV, from A Blurry Aftertaste\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/Wednesdays-IV.jpg\" data-orig-src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/Wednesdays-IV.jpg\" width=\"800\" height=\"1000\" alt=\"\u00a9 Eleonora Agostini, Wednesdays IV, from A Blurry Aftertaste\" title=\"film_00290 001\" aria-label=\"film_00290 001\" class=\"lazyload img-responsive wp-image-3704\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27800%27%20height%3D%271000%27%20viewBox%3D%270%200%20800%201000%27%3E%3Crect%20width%3D%27800%27%20height%3D%271000%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/Wednesdays-IV-200x250.jpg 200w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/Wednesdays-IV-400x500.jpg 400w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/Wednesdays-IV-600x750.jpg 600w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2026\/01\/Wednesdays-IV.jpg 800w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/a><\/div><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><div class=\"awb-imageframe-caption-title\">film_00290 001<\/div><p class=\"awb-imageframe-caption-text\">\u00a9 Eleonora Agostini, Wednesdays IV, from A Blurry Aftertaste<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-flex-column fusion-flex-align-self-flex-start\" style=\"--awb-bg-color:rgba(255,255,255,0);--awb-bg-color-hover:rgba(255,255,255,0);--awb-bg-size:cover;--awb-width-large:75%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.56%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:2.56%;--awb-width-medium:75%;--awb-order-medium:0;--awb-spacing-right-medium:2.56%;--awb-margin-bottom-medium:0px;--awb-spacing-left-medium:2.56%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\" data-scroll-devices=\"small-visibility,medium-visibility,large-visibility\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-space-between fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1 fusion-text-no-margin\" style=\"--awb-margin-bottom:1rem;\"><h2>HOME IS WHERE ONE STARTS FROM<\/h2>\n<\/div><div class=\"fusion-text fusion-text-2\"><p>Selezione a cura di\u00a0Francesco Colombelli<\/p>\n<p>La mostra dedicata ai\u00a0<strong>Photobooks<\/strong>\u00a0espone una selezione di libri, sia di natura documentaria che artistica, in cui \u00e8 affrontato il tema dell\u2019abitazione.<\/p>\n<p>L\u2019ambiente domestico \u00e8 sempre stato, per molti di noi, uno spazio vitale in cui prendersi una pausa\u00a0 dal mondo esterno. Quel luogo che demarca la divisione tra vita pubblica e privata: nelle nostre\u00a0 case siamo nient\u2019altro che noi stessi. D\u2019altronde, nel 1980 Roland Barthes scriveva che \u201cla vita\u00a0 privata altro non \u00e8 che quella zona di spazio, di tempo, in cui io non sono un\u2019immagine, un\u00a0 oggetto\u201d.\u00a0 Sicurezza, memoria, autonomia, reclusione, indipendenza. Gesto politico, ambiente da costruire o\u00a0 ri-costruire, rifugio, luogo di transito. La casa accoglie in s\u00e9 una molteplicit\u00e0 di termini e significati\u00a0 che vanno al di l\u00e0 dell\u2019idea di spazio fisico, abbracciando una serie di contraddizioni che trovano la\u00a0 loro essenza nel rapporto tra dimensione fisica e intima di chi la vive.<\/p>\n<p>Alla luce di questa premessa, \u00e8 innegabile constatare come il 2020 abbia segnato per\u00f2 un\u00a0 profondo cambiamento, modificando radicalmente il nostro vivere all\u2019interno dello spazio casalingo.\u00a0 Abbiamo guardato le mura domestiche in un nuovo modo e ci siamo fatti guardare a nostra volta in\u00a0 modo diverso. Il nostro mondo \u00e8 collassato in un definito numero di metri quadri, e quell\u2019immagine\u00a0 pubblica che tanto abbiamo tenuto separata dalla vita privata dentro casa, ha fatto irruzione\u00a0 prepotentemente nel nostro intimo quotidiano. Siamo diventati immagini anche tra le mura\u00a0 domestiche.<\/p>\n<p>Da spazio che pensavamo di conoscere a memoria, le nostre abitazioni sono infine diventate\u00a0 anche un potenziale creativo tutto da esplorare, verso una comprensione maggiore anche di noi\u00a0 stessi e di ci\u00f2 che siamo in grado di generare come essere umani. Per molti fotografi e artisti la\u00a0 casa si \u00e8 cos\u00ec trasformata da rifugio solitario a palcoscenico in cui mettere in scena possibili mondi:\u00a0 \u00e8 stato spontaneo esplorare le differenti modalit\u00e0 creative che la casa stessa offriva \u2013 e, dopotutto,\u00a0 \u00e8 stata anche un\u2019esplorazione intima e personale.\u00a0La ricerca interessa anche quegli artisti che\u00a0 avevano gi\u00e0 compreso come all\u2019interno delle nostre abitazioni ci sono piccoli mondi da esplorare.\u00a0 Il punto focale \u00e8 il luogo che abitiamo, che alcune volte chiamiamo casa, un luogo legato al nostro\u00a0 passato, ma che pu\u00f2 diventare fucina di sperimentazioni visionarie, per guardare il mondo con\u00a0 occhi diversi.<\/p>\n<p>Si ringraziano\u00a0Eleonora Agostini, Rachel Barker, Stanley\/Barker, Carlo Bevilacqua, Lukas Birk, Julia Borissova, Karianne Bueno, Jim Campers, Peter Dekens, Deanna Dikeman, Errata Editions, Rannveig Einarsd\u00f2ttir, S\u00e9bastien Girard, Yann Gross, Dragana Jurisic, Charlotte King, Csilla Klenyanszki, Karen Knorr, Jeffrey Ladd, Tom Licht, Louis Little, Noritaka Minami,\u00a0Parallelozero, Martin Parr, Nicolas Polli, Zosia Prominska, Giorgia Ravaioli, Fabian Reimann, Ben Roberts,\u00a0Ann\u00a0Shelton, Paul Salveson, Max Siedentopf, Jana Sophia Nolle, Studio Sultan Studios, Bert Teunissen<\/p>\n<\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-margin-top-large:0px;--awb-spacing-right-large:7.68%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:7.68%;--awb-width-medium:25%;--awb-order-medium:0;--awb-spacing-right-medium:7.68%;--awb-spacing-left-medium:7.68%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div ><a class=\"fusion-button button-flat fusion-button-default-size button-custom fusion-button-default button-1 fusion-button-span-yes fusion-button-default-type\" style=\"--button_accent_color:var(--awb-color1);--button_border_color:var(--awb-custom_color_2);--button_accent_hover_color:var(--awb-color1);--button_border_hover_color:var(--awb-color8);--button_gradient_top_color:var(--awb-custom_color_2);--button_gradient_bottom_color:var(--awb-custom_color_2);--button_gradient_top_color_hover:var(--awb-color8);--button_gradient_bottom_color_hover:var(--awb-color8);--button_margin-bottom:2rem;\" target=\"_self\" data-hover=\"icon_slide\" href=\"https:\/\/www.fotografiaeuropea.it\/archivio\/archivio-edizioni-di-fotografia-europea\/fotografia-europea-2021\/\"><span class=\"fusion-button-text awb-button__text awb-button__text--default\">Edizione 2021<\/span><i class=\"icon-dance-arrow awb-button__icon awb-button__icon--default button-icon-right\" aria-hidden=\"true\"><\/i><\/a><\/div><div class=\"fusion-text fusion-text-3\"><h3>Sede<\/h3>\n<p>Palazzo da Mosto<br \/>\nVia Giovanni Battista Mari, 7<br \/>\nReggio Emilia<\/p>\n<\/div><div class=\"awb-gallery-wrapper awb-gallery-wrapper-2 button-span-no\" style=\"--more-btn-alignment:center;\"><div style=\"margin:-5px;--awb-bordersize:0px;--awb-columns-medium:100%;--awb-columns-small:100%;\" class=\"fusion-gallery fusion-gallery-container fusion-grid-1 fusion-columns-total-3 fusion-gallery-layout-grid fusion-gallery-2\"><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-1 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10.jpg\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_2]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10.jpg\" data-orig-src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10.jpg\" width=\"1920\" height=\"1280\" alt=\"\" title=\"Chiostri-di-San-Pietro_Mortarotti-&#038;-Hamzehian_2021_10\" aria-label=\"Chiostri-di-San-Pietro_Mortarotti-&#038;-Hamzehian_2021_10\" class=\"lazyload img-responsive wp-image-2740\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271920%27%20height%3D%271280%27%20viewBox%3D%270%200%201920%201280%27%3E%3Crect%20width%3D%271920%27%20height%3D%271280%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10-200x133.jpg 200w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10-400x267.jpg 400w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10-600x400.jpg 600w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10-800x533.jpg 800w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10-1200x800.jpg 1200w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10.jpg 1920w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 640px) 1200px, \" \/><\/a><\/div><\/div><div class=\"clearfix\"><\/div><div style=\"padding:5px;\" class=\"fusion-grid-column 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