{"id":3612,"date":"2025-12-22T19:31:15","date_gmt":"2025-12-22T18:31:15","guid":{"rendered":"https:\/\/www.fotografiaeuropea.it\/archivio\/?post_type=avada_portfolio&#038;p=3612"},"modified":"2025-12-22T19:31:15","modified_gmt":"2025-12-22T18:31:15","slug":"carlo-valsecchi","status":"publish","type":"avada_portfolio","link":"https:\/\/www.fotografiaeuropea.it\/archivio\/mostre\/carlo-valsecchi\/","title":{"rendered":"Carlo Valsecchi"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background hundred-percent-fullwidth non-hundred-percent-height-scrolling fusion-animated\" style=\"--awb-border-radius-top-left:0px;--awb-border-radius-top-right:0px;--awb-border-radius-bottom-right:0px;--awb-border-radius-bottom-left:0px;--awb-padding-top:0px;--awb-padding-left:0px;--awb-padding-top-medium:0%;--awb-padding-right-medium:0px;--awb-padding-bottom-medium:0%;--awb-background-color:var(--awb-color1);--awb-flex-wrap:wrap;\" data-animationType=\"fadeIn\" data-animationDuration=\"0.4\" data-animationDelay=\"0.2\" data-animationOffset=\"top-into-view\" ><div class=\"fusion-builder-row fusion-row fusion-flex-align-items-stretch fusion-flex-justify-content-center fusion-flex-content-wrap\" style=\"width:104% !important;max-width:104% !important;margin-left: calc(-4% \/ 2 );margin-right: calc(-4% \/ 2 );\"><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-0 fusion_builder_column_1_1 1_1 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"awb-gallery-wrapper awb-gallery-wrapper-1 button-span-no\" style=\"--more-btn-alignment:center;margin-bottom:2.5rem;\"><div style=\"margin:-5px;--awb-aspect-ratio:1 \/ 1;--awb-bordersize:0px;--awb-caption-title-size:var(--awb-typography5-font-size);--awb-caption-title-transform:var(--awb-typography5-text-transform);--awb-caption-title-line-height:var(--awb-typography5-line-height);--awb-caption-title-letter-spacing:var(--awb-typography5-letter-spacing);--awb-caption-text-size:12px;--awb-caption-text-transform:uppercase;--awb-caption-text-line-height:1.35;--awb-caption-text-letter-spacing:0.08em;--awb-caption-overlay-color:var(--awb-color8);--awb-caption-background-color:var(--awb-custom_color_2);--awb-caption-margin-top:1rem;--awb-caption-margin-bottom:1rem;--awb-caption-title-font-family:var(--awb-typography5-font-family);--awb-caption-title-font-weight:var(--awb-typography5-font-weight);--awb-caption-title-font-style:var(--awb-typography5-font-style);--awb-caption-text-font-family:&quot;Shentox Bold&quot;;--awb-caption-text-font-style:normal;--awb-caption-text-font-weight:400;--awb-columns-medium:33.3333%;--awb-columns-small:100%;\" class=\"fusion-gallery fusion-gallery-container fusion-grid-3 fusion-columns-total-1 fusion-gallery-layout-grid fusion-gallery-1 has-aspect-ratio\"><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-zoomin awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-1\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Cralo-Valsecchi.webp\" data-title=\"FE-2022-Cralo-Valsecchi\" title=\"FE-2022-Cralo-Valsecchi\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Cralo-Valsecchi.webp\" data-orig-src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Cralo-Valsecchi.webp\" width=\"1200\" height=\"951\" alt=\"\" title=\"FE-2022-Cralo-Valsecchi\" aria-label=\"FE-2022-Cralo-Valsecchi\" class=\"lazyload img-responsive wp-image-3613\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271200%27%20height%3D%27951%27%20viewBox%3D%270%200%201200%20951%27%3E%3Crect%20width%3D%271200%27%20height%3D%27951%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Cralo-Valsecchi-200x159.webp 200w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Cralo-Valsecchi-400x317.webp 400w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Cralo-Valsecchi-600x476.webp 600w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Cralo-Valsecchi-800x634.webp 800w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Cralo-Valsecchi.webp 1200w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/a><\/div><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><div class=\"awb-imageframe-caption-title\">FE-2022-Cralo-Valsecchi<\/div><p class=\"awb-imageframe-caption-text\">Carlo Valsecchi, # 01135 Rotzo, Vicenza, IT, 2020, 180 x 220 cm. Courtesy Collezione Maramotti, \u00a9 Carlo Valsecchi<\/p><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-flex-column fusion-flex-align-self-flex-start\" style=\"--awb-bg-color:rgba(255,255,255,0);--awb-bg-color-hover:rgba(255,255,255,0);--awb-bg-size:cover;--awb-width-large:75%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.56%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:2.56%;--awb-width-medium:75%;--awb-order-medium:0;--awb-spacing-right-medium:2.56%;--awb-margin-bottom-medium:0px;--awb-spacing-left-medium:2.56%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\" data-scroll-devices=\"small-visibility,medium-visibility,large-visibility\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-space-between fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1 fusion-text-no-margin\" style=\"--awb-margin-bottom:1rem;\"><h2>Bellum<\/h2>\n<\/div><div class=\"fusion-text fusion-text-2\"><p>Un nuovo progetto artistico commissionato a\u00a0<b>Carlo Valsecchi\u00a0<\/b>da\u00a0<b>Collezione Maramotti.<\/b><\/p>\n<p>Le<strong>\u00a0quarantaquattro fotografie di grande formato<\/strong>\u00a0che costituiscono\u00a0<em>Bellum<\/em>\u00a0\u2013 tutte presenti nel volume che accompagna la mostra, e di cui una ventina in esposizione \u2013\u00a0raccontano il conflitto ancestrale tra uomo e natura e tra uomo e uomo; l\u2019uso della natura come difesa dall\u2019altro uomo e parimenti la difesa dell\u2019uomo dalla natura.<\/p>\n<p>Con la montagna come sua simbolica rappresentazione \u2013 espressione naturale estrema e insieme luogo dell\u2019ultima guerra di posizione \u2013 il progetto origina da\u00a0<strong>un\u2019esplorazione dei territori e delle costruzioni fortificate del nord-est italiano legati al primo conflitto mondiale<\/strong>, uno degli ultimi momenti nella storia dell\u2019umanit\u00e0 occidentale in cui il destino e l\u2019esperienza dell\u2019uomo erano strettamente connessi all\u2019ambiente naturale, alla sua conformazione, alle sue leggi e al suo controllo. Cosa resta di quel paesaggio di un secolo fa? Quali sono le tracce del patto che l\u2019umanit\u00e0 aveva stretto, in quel momento storico, con la natura?<\/p>\n<p>Attraverso un lavoro durato circa<strong>\u00a0tre anni<\/strong>, Valsecchi ha percorso quelle montagne con il suo\u00a0<strong>banco ottico<\/strong>, dall\u2019inverno alla primavera si \u00e8 messo in ascolto di quei luoghi per affacciarsi sull\u2019abisso di un conflitto cieco, sublimando nei suoi scatti una realt\u00e0 cruda in forma spesso astratta, intimamente estetica e assoluta nella sua essenza. Le immagini di\u00a0<i>Bellum\u00a0<\/i>diventano squarci, portali fatti di luce e composizione, sospesi in un tempo senza termine tra silenzio, isolamento e attesa.<\/p>\n<p>In questa serie di fotografie di Valsecchi, densa di analogie visive e concettuali,<strong>\u00a0la natura talvolta si fa architettura o si antropomorfizza<\/strong>, mentre il costruito si ibrida con l\u2019ambiente naturale in un processo di scambio e mimesi reciproci, in cui tuttavia risuonano silenziosi i cicli della natura e lo scorrere del tempo \u2013 il lento processo di mutamento e di cancellazione del passaggio dell\u2019uomo e dei suoi segni inesorabilmente effimeri sulla terra.<\/p>\n<p>Per maggiori informazioni:\u00a0<a href=\"https:\/\/www.collezionemaramotti.org\/it\" target=\"_blank\" rel=\"noopener\">collezionemaramotti.it<\/a><\/p>\n<\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:0px;--awb-icon-size:22px;--awb-content-font-size:var(--awb-typography4-font-size);--awb-content-letter-spacing:var(--awb-typography4-letter-spacing);--awb-content-text-transform:var(--awb-typography4-text-transform);--awb-content-line-height:var(--awb-typography4-line-height);--awb-icon-alignment:left;--awb-hover-color:var(--awb-color2);--awb-border-color:var(--awb-color8);--awb-background-color:var(--awb-color2);--awb-divider-color:var(--awb-color5);--awb-divider-hover-color:var(--awb-custom_color_2);--awb-icon-color:var(--awb-color1);--awb-title-color:var(--awb-color8);--awb-content-color:var(--awb-color8);--awb-icon-box-color:var(--awb-color8);--awb-toggle-hover-accent-color:var(--awb-custom_color_2);--awb-toggle-active-accent-color:var(--awb-custom_color_2);--awb-title-font-family:&quot;Shentox Bold&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-title-font-size:22px;--awb-title-letter-spacing:0.08rem;--awb-title-line-height:1.35;--awb-content-font-family:var(--awb-typography4-font-family);--awb-content-font-weight:var(--awb-typography4-font-weight);--awb-content-font-style:var(--awb-typography4-font-style);\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-3612-1\"><div class=\"fusion-panel panel-default panel-0b7dc51eee9f29bac fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:var(--awb-color8);--awb-content-color:var(--awb-color8);\"><div class=\"panel-heading\"><h2 class=\"panel-title toggle\" id=\"toggle_0b7dc51eee9f29bac\"><a aria-expanded=\"false\" aria-controls=\"0b7dc51eee9f29bac\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-3612-1\" data-target=\"#0b7dc51eee9f29bac\" href=\"#0b7dc51eee9f29bac\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Biografia<\/span><\/a><\/h2><\/div><div id=\"0b7dc51eee9f29bac\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_0b7dc51eee9f29bac\"><div class=\"panel-body toggle-content fusion-clearfix\"><b>Carlo Valsecchi\u00a0<\/b>(Brescia, 1965) vive e lavora a Milano.\u00a0Dopo essere stato selezionato per la Biennale di Architettura di Venezia nel 1992, il suo lavoro \u00e8 stato esposto in numerose istituzioni in tutto il mondo. Tra le ultime mostre personali: The Open Box, Milano (2019); Salone degli Incamminati, Pinacoteca Nazionale di Bologna (2019); Ex Ospedale dei Bastardini, Biennale di Fotografia dell\u2019Industria e del Lavoro, Bologna (2017); Galerie Walter Keller, Zurigo (2013); Mart, Rovereto (2011); Galleria Carla Sozzani, Milano (2011); Mus\u00e9e de l\u2019Elys\u00e9e, Losanna (2009). Ha inoltre preso parte a numerose mostre collettive, tra cui di recente: MMCA Seoul (2018); Fondazione MAST, Bologna (2016, 2015); Palazzo Da Mosto, Festival di Fotografia Europea, Reggio Emilia (2015); Museo della Merda, Piacenza (2015); Somerset House, Londra (2013); Ivorypress, Madrid (2012).<\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-margin-top-large:0px;--awb-spacing-right-large:7.68%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:7.68%;--awb-width-medium:25%;--awb-order-medium:0;--awb-spacing-right-medium:7.68%;--awb-spacing-left-medium:7.68%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div ><a class=\"fusion-button button-flat fusion-button-default-size button-custom fusion-button-default button-1 fusion-button-span-yes fusion-button-default-type\" style=\"--button_accent_color:var(--awb-color1);--button_border_color:var(--awb-custom_color_2);--button_accent_hover_color:var(--awb-color1);--button_border_hover_color:var(--awb-color8);--button_gradient_top_color:var(--awb-custom_color_2);--button_gradient_bottom_color:var(--awb-custom_color_2);--button_gradient_top_color_hover:var(--awb-color8);--button_gradient_bottom_color_hover:var(--awb-color8);--button_margin-bottom:2rem;\" target=\"_self\" data-hover=\"icon_slide\" href=\"https:\/\/www.fotografiaeuropea.it\/archivio\/archivio-edizioni-di-fotografia-europea\/fotografia-europea-2022\/\"><span class=\"fusion-button-text awb-button__text awb-button__text--default\">Edizione 2022<\/span><i class=\"icon-dance-arrow awb-button__icon awb-button__icon--default button-icon-right\" aria-hidden=\"true\"><\/i><\/a><\/div><div class=\"fusion-text fusion-text-3\"><h3>Sede<\/h3>\n<p>Collezione Maramotti<br \/>\nvia Fratelli Cervi, 66<br \/>\nReggio Emilia<\/p>\n<\/div><div class=\"awb-gallery-wrapper awb-gallery-wrapper-2 button-span-no\" style=\"--more-btn-alignment:center;\"><div style=\"margin:-5px;--awb-bordersize:0px;--awb-columns-medium:100%;--awb-columns-small:100%;\" class=\"fusion-gallery fusion-gallery-container fusion-grid-1 fusion-columns-total-3 fusion-gallery-layout-grid fusion-gallery-2\"><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-1 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10.jpg\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_2]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10.jpg\" data-orig-src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10.jpg\" width=\"1920\" height=\"1280\" alt=\"\" title=\"Chiostri-di-San-Pietro_Mortarotti-&#038;-Hamzehian_2021_10\" aria-label=\"Chiostri-di-San-Pietro_Mortarotti-&#038;-Hamzehian_2021_10\" class=\"lazyload img-responsive wp-image-2740\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%271920%27%20height%3D%271280%27%20viewBox%3D%270%200%201920%201280%27%3E%3Crect%20width%3D%271920%27%20height%3D%271280%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10-200x133.jpg 200w, 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fusion-gallery-column fusion-gallery-column-1 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_14.jpg\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_2]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_14.jpg\" data-orig-src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_14.jpg\" width=\"1920\" height=\"1280\" alt=\"\" title=\"Chiostri-di-San-Pietro_Mortarotti-&#038;-Hamzehian_2021_14\" aria-label=\"Chiostri-di-San-Pietro_Mortarotti-&#038;-Hamzehian_2021_14\" class=\"lazyload img-responsive wp-image-2742\" 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