{"id":3607,"date":"2025-12-22T19:24:25","date_gmt":"2025-12-22T18:24:25","guid":{"rendered":"https:\/\/www.fotografiaeuropea.it\/archivio\/?post_type=avada_portfolio&#038;p=3607"},"modified":"2025-12-22T19:24:25","modified_gmt":"2025-12-22T18:24:25","slug":"maria-clara-macri","status":"publish","type":"avada_portfolio","link":"https:\/\/www.fotografiaeuropea.it\/archivio\/mostre\/maria-clara-macri\/","title":{"rendered":"Maria Clara Macr\u00ec"},"content":{"rendered":"<div class=\"fusion-fullwidth fullwidth-box fusion-builder-row-1 fusion-flex-container has-pattern-background has-mask-background hundred-percent-fullwidth non-hundred-percent-height-scrolling fusion-animated\" 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style=\"--awb-bg-size:cover;--awb-width-large:100%;--awb-margin-top-large:0px;--awb-spacing-right-large:1.92%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:1.92%;--awb-width-medium:100%;--awb-order-medium:0;--awb-spacing-right-medium:1.92%;--awb-spacing-left-medium:1.92%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div class=\"awb-gallery-wrapper awb-gallery-wrapper-1 button-span-no\" style=\"--more-btn-alignment:center;margin-bottom:2.5rem;\"><div style=\"margin:-5px;--awb-aspect-ratio:1 \/ 1;--awb-bordersize:0px;--awb-caption-title-size:var(--awb-typography5-font-size);--awb-caption-title-transform:var(--awb-typography5-text-transform);--awb-caption-title-line-height:var(--awb-typography5-line-height);--awb-caption-title-letter-spacing:var(--awb-typography5-letter-spacing);--awb-caption-text-size:12px;--awb-caption-text-transform:uppercase;--awb-caption-text-line-height:1.35;--awb-caption-text-letter-spacing:0.08em;--awb-caption-overlay-color:var(--awb-color8);--awb-caption-background-color:var(--awb-custom_color_2);--awb-caption-margin-top:1rem;--awb-caption-margin-bottom:1rem;--awb-caption-title-font-family:var(--awb-typography5-font-family);--awb-caption-title-font-weight:var(--awb-typography5-font-weight);--awb-caption-title-font-style:var(--awb-typography5-font-style);--awb-caption-text-font-family:&quot;Shentox Bold&quot;;--awb-caption-text-font-style:normal;--awb-caption-text-font-weight:400;--awb-columns-medium:33.3333%;--awb-columns-small:100%;\" class=\"fusion-gallery fusion-gallery-container fusion-grid-3 fusion-columns-total-1 fusion-gallery-layout-grid fusion-gallery-1 has-aspect-ratio\"><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-3 hover-type-zoomin awb-imageframe-style awb-imageframe-style-below awb-imageframe-style-1\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Maria-Clara-Macri.webp\" data-title=\"FE-2022-Maria-Clara-Macri\u0300\" title=\"FE-2022-Maria-Clara-Macri\u0300\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_1]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Maria-Clara-Macri.webp\" data-orig-src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Maria-Clara-Macri.webp\" width=\"800\" height=\"1159\" alt=\"\" title=\"FE-2022-Maria-Clara-Macri\u0300\" aria-label=\"FE-2022-Maria-Clara-Macri\u0300\" class=\"lazyload img-responsive wp-image-3608\" srcset=\"data:image\/svg+xml,%3Csvg%20xmlns%3D%27http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%27%20width%3D%27800%27%20height%3D%271159%27%20viewBox%3D%270%200%20800%201159%27%3E%3Crect%20width%3D%27800%27%20height%3D%271159%27%20fill-opacity%3D%220%22%2F%3E%3C%2Fsvg%3E\" data-srcset=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Maria-Clara-Macri-200x290.webp 200w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Maria-Clara-Macri-400x580.webp 400w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Maria-Clara-Macri-600x869.webp 600w, https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/FE-2022-Maria-Clara-Macri.webp 800w\" data-sizes=\"auto\" data-orig-sizes=\"(min-width: 2200px) 100vw, (min-width: 784px) 397px, (min-width: 712px) 595px, (min-width: 640px) 712px, \" \/><\/a><\/div><div class=\"awb-imageframe-caption-container\"><div class=\"awb-imageframe-caption\"><div class=\"awb-imageframe-caption-title\">FE-2022-Maria-Clara-Macri\u0300<\/div><\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-1 fusion_builder_column_3_4 3_4 fusion-flex-column fusion-flex-align-self-flex-start\" style=\"--awb-bg-color:rgba(255,255,255,0);--awb-bg-color-hover:rgba(255,255,255,0);--awb-bg-size:cover;--awb-width-large:75%;--awb-margin-top-large:0px;--awb-spacing-right-large:2.56%;--awb-margin-bottom-large:0px;--awb-spacing-left-large:2.56%;--awb-width-medium:75%;--awb-order-medium:0;--awb-spacing-right-medium:2.56%;--awb-margin-bottom-medium:0px;--awb-spacing-left-medium:2.56%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\" data-scroll-devices=\"small-visibility,medium-visibility,large-visibility\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-space-between fusion-content-layout-column\"><div class=\"fusion-text fusion-text-1 fusion-text-no-margin\" style=\"--awb-margin-bottom:1rem;\"><h2>In her rooms<\/h2>\n<\/div><div class=\"fusion-text fusion-text-2\"><p>curated by\u00a0<strong>Erik Kessels<\/strong><\/p>\n<p>Dall\u2019idea di restituire alla donna la sua nudita\u0300, slegando il corpo dall\u2019oggettivazione sessuale, e\u0300 nata l\u2019esigenza di intraprendere un\u2019indagine delle stanze dove avviene la scoperta di noi stesse, nei nostri momenti di liberta\u0300 e intimita\u0300, come Virigina Woolf giustamente scrive nel suo saggio Una stanza tutta per se\u0301 (1929). Incontrate per le strade di New York, Los Angeles, Barcellona, Manchester, Parigi, Valencia, Marsiglia, Milano e Roma, le protagoniste di questi scatti sono quasi tutte non originarie del luogo in cui sono state fotografate, mixed raced, queer e non binary. Al di la\u0300 di ogni casella precostituita, l\u2019unico criterio che ha condotto l\u2019autrice nella sua ricerca e\u0300 stata la propria empatia verso il mondo esterno, che le ha permesso di cogliere l\u2019essenza di un nuovo sentire femminile internazionale e globale, e di registrare il dato di una forte trasmigrazione al femminile.<\/p>\n<p>Maria Clara Macr\u00ec ha iniziato dal 2018 a girare il mondo per incontrare donne di altre culture che, attraversando il suo destino solitario, sarebbero state disponibili a prendere parte al suo progetto fotografico. Che fosse Milano o Parigi, Londra, New York o Los Angeles, ci\u00f2 che contava per Maria Clara Macr\u00ec era riuscire a cogliere appieno ed esprimere visivamente la natura complessa e intensa della femminilit\u00e0 odierna, distruggendo gli stereotipi e liberando l\u2019immagine della donna dalla sessualizzazione e dall\u2019oggettivazione di cui \u00e8 vittima.<\/p>\n<p>Cos\u00ec nasce il progetto\u00a0<i>In Her Rooms<\/i>, in cui Maria Clara esplora il rapporto tra empatia, intimit\u00e0 e la rappresentazione contemporanea delle donne. La fotografa ha scelto di ritrarre i suoi soggetti all\u2019interno delle proprie camere da letto, vedendo ciascuna di quelle stanze come uno spazio sicuro in cui le donne possono sperimentare e scoprire per la prima volta la propria identit\u00e0. Il risultato \u00e8 una serie di ritratti che, con ragazze di tutte le culture e percorsi di vita, riflette l\u2019unicit\u00e0 delle donne. Interamente scattato su pellicola\u00a0<i>In Her Rooms<\/i>\u00a0\u00e8 anche una raccolta di storie, poesie e aforismi che Maria Clara ha scritto nei suoi diari durante il suo viaggio da una stanza all\u2019altra.<\/p>\n<\/div><div class=\"accordian fusion-accordian\" style=\"--awb-border-size:0px;--awb-icon-size:22px;--awb-content-font-size:var(--awb-typography4-font-size);--awb-content-letter-spacing:var(--awb-typography4-letter-spacing);--awb-content-text-transform:var(--awb-typography4-text-transform);--awb-content-line-height:var(--awb-typography4-line-height);--awb-icon-alignment:left;--awb-hover-color:var(--awb-color2);--awb-border-color:var(--awb-color8);--awb-background-color:var(--awb-color2);--awb-divider-color:var(--awb-color5);--awb-divider-hover-color:var(--awb-custom_color_2);--awb-icon-color:var(--awb-color1);--awb-title-color:var(--awb-color8);--awb-content-color:var(--awb-color8);--awb-icon-box-color:var(--awb-color8);--awb-toggle-hover-accent-color:var(--awb-custom_color_2);--awb-toggle-active-accent-color:var(--awb-custom_color_2);--awb-title-font-family:&quot;Shentox Bold&quot;;--awb-title-font-weight:400;--awb-title-font-style:normal;--awb-title-font-size:22px;--awb-title-letter-spacing:0.08rem;--awb-title-line-height:1.35;--awb-content-font-family:var(--awb-typography4-font-family);--awb-content-font-weight:var(--awb-typography4-font-weight);--awb-content-font-style:var(--awb-typography4-font-style);\"><div class=\"panel-group fusion-toggle-icon-boxed\" id=\"accordion-3607-1\"><div class=\"fusion-panel panel-default panel-b17ef8ba55d10c352 fusion-toggle-no-divider fusion-toggle-boxed-mode\" style=\"--awb-title-color:var(--awb-color8);--awb-content-color:var(--awb-color8);\"><div class=\"panel-heading\"><h2 class=\"panel-title toggle\" id=\"toggle_b17ef8ba55d10c352\"><a aria-expanded=\"false\" aria-controls=\"b17ef8ba55d10c352\" role=\"button\" data-toggle=\"collapse\" data-parent=\"#accordion-3607-1\" data-target=\"#b17ef8ba55d10c352\" href=\"#b17ef8ba55d10c352\"><span class=\"fusion-toggle-icon-wrapper\" aria-hidden=\"true\"><i class=\"fa-fusion-box active-icon awb-icon-minus\" aria-hidden=\"true\"><\/i><i class=\"fa-fusion-box inactive-icon awb-icon-plus\" aria-hidden=\"true\"><\/i><\/span><span class=\"fusion-toggle-heading\">Biografia<\/span><\/a><\/h2><\/div><div id=\"b17ef8ba55d10c352\" class=\"panel-collapse collapse \" aria-labelledby=\"toggle_b17ef8ba55d10c352\"><div class=\"panel-body toggle-content fusion-clearfix\"><strong>Maria Clara Macr\u00ec<\/strong>\u00a0(Reggio Emilia, 1987). Durante la sua adolescenza inizia ad interessarsi\u00a0di questioni politiche e sociali, con particolare attenzione alle questioni di genere. Dopo\u00a0essersi laureata in Storia del Mondo Contemporaneo nel 2010, si \u00e8 trasferita a Londra\u00a0dove si \u00e8 avvicinata per la prima volta alla fotografia.\u00a0Durante il suo soggiorno a Napoli, tra il 2015 e il 2017, inizia a selezionare i suoi soggetti\u00a0femminili per le strade e a sperimentare con loro un rapporto tra empatia, intimit\u00e0 e\u00a0rappresentazione femminile attraverso la fotografia, ritraendoli nel suo appartamento\u00a0adibito a studio. Nel 2017 \u00e8 tornata a Reggio Emilia, dove attraverso l\u2019eco ricevuta grazie\u00a0a Instagram, diverse donne hanno iniziato a contattarla, chiedendo di essere fotografate e\u00a0di far parte cos\u00ec del suo progetto di ricerca visiva sulle donne. Nel 2018 Macr\u00ec ha deciso di\u00a0ampliare il progetto, includendo la ricerca sugli ambienti in cui le donne contemporanee\u00a0vivono la loro intimit\u00e0 e libert\u00e0 personale: le loro stanze. Ha iniziato a viaggiare da NewYork a Los Angeles, da Londra a Parigi, Milano, per incontrare e fotografare donne di altre\u00a0culture e paesi.<\/div><\/div><\/div><\/div><\/div><\/div><\/div><div class=\"fusion-layout-column fusion_builder_column fusion-builder-column-2 fusion_builder_column_1_4 1_4 fusion-flex-column\" style=\"--awb-bg-size:cover;--awb-width-large:25%;--awb-margin-top-large:0px;--awb-spacing-right-large:7.68%;--awb-margin-bottom-large:20px;--awb-spacing-left-large:7.68%;--awb-width-medium:25%;--awb-order-medium:0;--awb-spacing-right-medium:7.68%;--awb-spacing-left-medium:7.68%;--awb-width-small:100%;--awb-order-small:0;--awb-spacing-right-small:1.92%;--awb-spacing-left-small:1.92%;\"><div class=\"fusion-column-wrapper fusion-column-has-shadow fusion-flex-justify-content-flex-start fusion-content-layout-column\"><div ><a class=\"fusion-button button-flat fusion-button-default-size button-custom fusion-button-default button-1 fusion-button-span-yes fusion-button-default-type\" style=\"--button_accent_color:var(--awb-color1);--button_border_color:var(--awb-custom_color_2);--button_accent_hover_color:var(--awb-color1);--button_border_hover_color:var(--awb-color8);--button_gradient_top_color:var(--awb-custom_color_2);--button_gradient_bottom_color:var(--awb-custom_color_2);--button_gradient_top_color_hover:var(--awb-color8);--button_gradient_bottom_color_hover:var(--awb-color8);--button_margin-bottom:2rem;\" target=\"_self\" data-hover=\"icon_slide\" href=\"https:\/\/www.fotografiaeuropea.it\/archivio\/archivio-edizioni-di-fotografia-europea\/fotografia-europea-2022\/\"><span class=\"fusion-button-text awb-button__text awb-button__text--default\">Edizione 2022<\/span><i class=\"icon-dance-arrow awb-button__icon awb-button__icon--default button-icon-right\" aria-hidden=\"true\"><\/i><\/a><\/div><div class=\"fusion-text fusion-text-3\"><h3>Sede<\/h3>\n<p>Spazio Gerra<br \/>piazza XXV Aprile, 2<br \/>Reggio Emilia<\/p>\n<\/div><div class=\"awb-gallery-wrapper awb-gallery-wrapper-2 button-span-no\" style=\"--more-btn-alignment:center;\"><div style=\"margin:-5px;--awb-bordersize:0px;--awb-columns-medium:100%;--awb-columns-small:100%;\" class=\"fusion-gallery fusion-gallery-container fusion-grid-1 fusion-columns-total-3 fusion-gallery-layout-grid fusion-gallery-2\"><div style=\"padding:5px;\" class=\"fusion-grid-column fusion-gallery-column fusion-gallery-column-1 hover-type-zoomin\"><div class=\"fusion-gallery-image\"><a href=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10.jpg\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_2]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_10.jpg\" 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href=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_14.jpg\" rel=\"noreferrer\" data-rel=\"iLightbox[gallery_image_2]\" class=\"fusion-lightbox\" target=\"_self\"><img decoding=\"async\" src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_14.jpg\" data-orig-src=\"https:\/\/www.fotografiaeuropea.it\/archivio\/wp-content\/uploads\/sites\/2\/2025\/12\/Chiostri-di-San-Pietro_Mortarotti-Hamzehian_2021_14.jpg\" width=\"1920\" height=\"1280\" alt=\"\" title=\"Chiostri-di-San-Pietro_Mortarotti-&#038;-Hamzehian_2021_14\" aria-label=\"Chiostri-di-San-Pietro_Mortarotti-&#038;-Hamzehian_2021_14\" class=\"lazyload img-responsive wp-image-2742\" 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